Saturday, January 14, 2017

Serge Daney in Portuguese

While an anthology of Daney in English remains a distant dream, the rest of the speaking world continues to publish translations. After books in Spanish, German, Dutch, Japanese, Italian and others, the Portuguese publisher Angelus Novus released last year a selection of Daney's writings: O Cinema Que Faz Escrever: textos críticos. The translators have sent over the table of contents which you can read below with links to existing (English) translations.

Choosing these 26 texts must have presented the obvious headache (the French edition of Daney's complete writings run into nearly 3,000 pages) but this small selection hits the spot in many ways. The book opens with 'The tracking shot in Kapo' - Daney's last and most encompassing text, covering his life as a cinephile in relation to modern cinema - and ends with 'Montage Obligatory' - one of the key texts written while watching the first Gulf War on TV and which made Daney abandon "traditional" criticism and found the more literary review Trafic.

In-between are the best known theoretical texts from the 70s (most of them already translated in English), a few great film reviews of international authors (e.g. Rossellini, Mizoguchi, Paradjanov), and a pretty perfect selection of Daney's key texts from the late 80s and early 90s where he developed his opposition between the image and the visual (including "The last image" from the landmark exhibition "Passages du cinéma"). I particularly like the short section called "The Portuguese pole" with three reviews of films by Reis/Cordeiro, Oliveira and Rocha, as if Daney's many travels and writings on international cinema allowed any country in the world to create a small Daney collection of their own.


O cinema que faz escrever: textos críticos
Serge Daney

Presentation

The Tracking Shot in Kapo
Trafic n.º 4, Autumn 1992

CINEMA IN THE PRESENT I

Amphisbetesis (François Truffaut, L’Enfant Sauvage)
Cahiers du cinéma n.º 222, July 1970

The screen of fantasy (Bazin and animals)
Cahiers du cinéma n.º 236-237, March-April 1972

A tomb for the eye (Straubian pedagogy)
Cahiers du cinéma n.º 258-259, July-August 1975

The t(h)errorized (Godardian pedagogy) AKA The therrorized (Godardian pedagogy)
Cahiers du cinéma n.º 262-263, January 1976

The organ and the vacuum cleaner (Bresson, the devil, the voice-over and other things)
Cahiers du cinéma n.º 279-280, August-September 1977

Éloge d'Emma Thiers (Réalisme de Jean-Claude Biette)
Cahiers du cinéma n.º 285, February 1978

The cruel radiance of what is (Johan Van der Keuken)
Cahiers du cinéma n.º 290-291, July-August 1978

D’une rosière à l’autre" (Jean Eustache, La Rosière de Pessac I et II)
Cahiers du cinema n.º 306, December 1979

Wim’s movie (Wim Wenders and Nicholas Ray)
Cahiers du cinéma n.º 318, December 1980

THE PORTUGUESE POLE

Loin des lois (António Reis et Margarida Cordeiro, Trás-os-Montes)
Cahiers du cinéma n.º 276, May 1977

Que peut un cœur? (Manoel de Oliveira, Francisca)
Cahiers du cinéma n.º 330, December 1981

Exil, amour et tatami portugais (Paulo Rocha, L'Île des amours)
Libération, 20 May 1982

CINEMA IN THE PRESENT II

Jacques Rivette, Le Pont du Nord
Libération, 26 March 1982

Not reconciled (Jerry Lewis' Smörgasbord)
Cahiers du cinéma n.º 347, May 1983

Exil en Nostalghia (Andrei Tarkovski, Nostalghia)
Libération, 4 June 1985

Paradjanov remonte au créneau (Sergueï Paradjanov,  Legenda o surasmoj kreposti)
Libération, 4 December 1986

Rohmer côté court (Éric Rohmer, Quatre aventures de Reinette et Mirabelle)
Libération, 4 February 1987

REVISIONS

L'œil était dans la tombe et regardait Franju (Georges Franju, Les yeux sans visage)
Libération, 25 September 1986

Mizoguchi, la bonne distance (Kenji Mizoguchi, Akasen chitai)
Libération, 10 April 1987

La première fois (Roberto Rossellini, Francesco, giullare di Dio)
Cahiers du cinéma, Hors-série Roberto Rossellini, 1989

HALT, IMAGE, VISUAL

Le mot de la fin
L’Âne, n.º 7, Winter 1982

From movies to Moving AKA From projector do parade AKA From defilement to filing past
La Recherche photographique n.º 7, 1989

Le cinéma et la memoire de l'eau
Libération, 29 December 1989

La dernière image
Passages de l’image Catalogue, dir. Raymond Bellour, Catherine David, Christine van Assche, Centre Georges-Pompidou, 1990

Montage obligatory (The war, the gulf and the small screen)
Cahiers du cinéma n.º 442, April 1991